Home > Classes >
Classes at the Headquarters > Schedule of Iemoto Class
Schedule of Iemoto Class
|
|
|
| ||||
| April 2010 | |||||||
| R4/1 | Eiko Sumura | 1-15. Free Style Arranging 3-3. Free Style Ka-bu-wa-ke (Moribana) |
- | ||||
| T4/6 | Iemoto Akane Teshigahara | Express Your Feelings Through Ikebana Effective Use of Colored Materials |
- | ||||
| R4/8 | Gaho Isono | 1-1. Basic Upright Style Moribana 3-5. Composition of Straight Lines |
- | ||||
| T4/13 | Bisen Sumide | 1-4. Basic Upright Style Nageire *Special Material |
Japanese iris | ||||
| R4/15 | Seiko Ozawa | ||||||
| T4/20 | Sozan Nakamura | 1-2. Basic Upright Style Moribana 3-6. Composition of Curved Lines |
- | ||||
| May 2010 | |||||||
| T5/11 | Gaho Isono | 1-3. Basic Upright Style Moribana (Reversed) 3-7. Composition of Straight and Curved Lines |
Straight and curved lines | ||||
| R5/13 | Bisen Sumide | ||||||
| T5/18 | Junga Shinozaki | 1-5. Basic Upright Style Nageire 4-1. With Flowers Only |
- | ||||
| R5/20 | Sozan Nakamura | 2-10. Free Style Arranging and Sketching 4-2. With Leaves Only |
- | ||||
| T5/25 | Seiko Ozawa | 2-1. Variation No.3 Upright Style Moribana 4-3. With Branches Only |
- | ||||
| R5/27 | Eiko Sumura | 2-2. Variation No.3 Upright Style Nageire 4-4. Only One Kind of Material |
- | ||||
| June 2010 | |||||||
| T6/1 | Sozan Nakamura | 1-7. Basic Slanting Style Moribana 4-12. Focusing on the Uses of Water |
Highlighting water | ||||
| R6/3 | Junga Shinozaki | 1-8. Basic Slanting Style Moribana 4-12. Focusing on the Uses of Water |
|||||
| T6/8 | Eiko Sumura | 1-6. Basic Slanting Style Nageire (Reversed) 3-1. Vertical Composition (Moribana) |
- | ||||
| R6/10 | Bisen Sumide | 2-3. Variation No.3 Slanting Style Moribana 3-2. Horizontal Composition |
|||||
| R6/17 | Seiko Ozawa | 2-4. Variation No.3 Slanting Style Nageire 4-8. Simplified Arrangement |
- | ||||
| T6/22 | Gaho Isono | 1-9. Basic Slanting Style Nageire 4-11. Using Both Fresh and Unconventional Materials |
- | ||||
| July 2010 | |||||||
| T7/6 | Bisen Sumide | 1-10. Basic Slanting Style Nageire *Special Material |
Water lily & cow lily | ||||
| R7/8 | Gaho Isono | ||||||
| T7/13 | Junga Shinozaki | 1-11. Variation No.1 Upright Style Moribana 3-8. Colors in the Same Tonal Range |
- | ||||
| R7/15 | Iemoto Akane Teshigahara | Reflecting on Dried Materials You in Ikebana |
- | ||||
| T7/20 | Sozan Nakamura | 1-12. Variation No.1 Upright Style Nageire 3-10. Color of the Container |
|||||
| R7/22 | Seiko Ozawa | 1-13. Variation No.1 Slanting Style Moribana 3-11. Shape of the Container |
- | ||||
| August 2010 | |||||||
| T8/3 | Bisen Sumide | TBA | - | ||||
| R8/19 | Eiko Sumura | TBA | - | ||||
| R8/26 | Gaho Isono | TBA | - | ||||
| September 2010 | |||||||
| R9/2 | Junga Shinozaki | 1-14. Variation No. 1 Slanting Style Nageire 4-9. Disassembling and Rearranging the Materials |
- | ||||
| T9/7 | Seiko Ozawa | 1-16. Variation No.2 Upright Style Moribana 3-12. Massed Expression |
Massed expression | ||||
| R9/9 | Sozan Nakamura | ||||||
| T9/14 | Eiko Sumura | 1-17. Variation No.2 Upright Style Nageire 4-5. A Variety of Materials |
Variety of materials | ||||
| R9/16 | Bisen Sumide | ||||||
| T9/21 | Gaho Isono | 2-5. Variation No.4 Upright Style Moribana 4-17. Arrangement with Plants on a Wall |
- | ||||
| October 2010 | |||||||
| T10/5 | Sozan Nakamura | 2-6. Variation No.4 Upright Style Nageire 3-13. Composition of Mass and Line (Straight or Curved) |
- | ||||
| R10/7 | Eiko Sumura | 2-7. Variation No.4 Slanting Style Moribana 3-14. Composition of Surfaces by Using Leaves |
- | ||||
| T10/12 | Bisen Sumide | 2-8. Variation No.4 Slanting Style Nageire 3-15. Composition of Surfaces Made by the Massing of Lines |
- | ||||
| R10/14 | Iemoto Akane Teshigahara | Arrangement with Autumn Leaves Halloween Arrangement |
- | ||||
| T10/19 | Junga Shinozaki | 2-9. Variation No.4 Hanging Style Nageire 4-7. Fruiting Plant Materials |
Fruiting plant materials | ||||
| R10/21 | Gaho Isono | ||||||
| November 2010 | |||||||
| R11/4 | Seiko Ozawa | 1-18. Variation No.2 Slanting Style Moribana 4-6. Vines |
- | ||||
| T11/9 | Sozan Nakamura | 1-19. Variation No.2 Slanting Style Nageire 4-13. Dried, Bleached, or Colored Materials |
Dried, bleached, colored materials | ||||
| R11/11 | Junga Shinozaki | ||||||
| T11/16 | Gaho Isono | 2-11. Variation No.5 Upright Style Moribana 4-10. Vegetables and/or Fruits in an Arrangement |
|||||
| R11/18 | Bisen Sumide | 2-12. Variation No.5 Slanting Style Moribana 3-16. Intertwining Plant Materials |
Intertwining | ||||
| T11/30 | Eiko Sumura | ||||||
| December 2010 | |||||||
| R12/2 | Junga Shinozaki | 2-16. Variation No.7 Floating Arrangement, Spreading Arrangement, and Morimono Arrangement 4-19. Specific Scenes, Occasion or Space |
- | ||||
| T12/7 | Sozan Nakamura | 1-1. Basic Upright Style Moribana *Special Material & Subject |
Materials for Christmas | ||||
| R12/9 | Eiko Sumura | ||||||
| T12/14 | Bisen Sumide | 1-2. Basic Upright Style Moribana *Special Material & Subject |
Materials for the New Year | ||||
| R12/16 | Gaho Isono | ||||||
| T12/21 | Seiko Ozawa | 1-6. Basic Upright Style Nageire (Reversed) 4-20. You in Ikebana |
- | ||||
| January 2011 | |||||||
| R1/6 | Sozan Nakamura | 2-13. Variation No.6 Slanting Style Moribana 4-16. Paying Attention to the Container and to the Place Where the Arrangement will be Put |
- | ||||
| T1/11 | Junga Shinozaki | 2-14. Variation No.6 Horizontal Style Moribana *Special Material |
Narcissus | ||||
| R1/13 | Seiko Ozawa | ||||||
| T1/18 | Gaho Isono | 2-15. Variation No.6 Horizontal Style Nageire 4-18. In a Suiban without Kenzan |
Without kenzan | ||||
| R1/20 | Bisen Sumide | ||||||
| T1/25 | Eiko Sumura | 1-15. Free Style Arranging 3-17. Repeating Similar Forms or Shapes |
|||||
| February 2011 | |||||||
| R2/3 | Junga Shinozaki | 1-3. Basic Upright Style Moribana (Reversed) 3-20. Sketching and Arranging |
- | ||||
| T2/8 | Iemoto Akane Teshigahara | Arrangement with Flowering Branch Valentine's Day Arrangement |
- | ||||
| R2/10 | Eiko Sumura | 2-18. Variation No.8 Combined Styles (Moribana and Nageire) 4-14. Keeping in Mind the View from Below |
- | ||||
| T2/15 | Seiko Ozawa | 2-17. Variation No.8 Combined Styles (Moribana and Moribana) 3-18. Showing lines at Base |
New Zealand flax | ||||
| R2/17 | Gaho Isono | ||||||
| T2/22 | Bisen Sumide | 2-19. Variation No.8 Combined Styles (Nageire and Nageire) 4-15. Keeping in Mind the View from Above |
- | ||||
| March 2011 | |||||||
| T3/1 | Eiko Sumura | 1-14. Variation No.1 Slanting Style Nageire 3-19. To be Viewed from All Angles |
Flowering cherry | ||||
| R3/3 | Sozan Nakamura | ||||||
| T3/8 | Gaho Isono | 1-13. Variation No.1 Slanting Style Moribana 3-9. Colors in Contrast |
Colors in contrast | ||||
| R3/10 | Seiko Ozawa | ||||||
| T3/15 | Junga Shinozaki | 2-9. Variation No.4 Hanging Style Nageire 3-4. Two or More Containers |
- | ||||
| T3/22 | Bisen Sumide | 2-12. Variation No.5 Slanting Style Moribana 4-4. Only One Kind of Material |
- | ||||
