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Red Flowers
(2006)
The work produced for the TVCM "Red Flower" version of Hitachi Digital High Definition "Wooo" in 2006.
In this work, 1000 pieces of gloly lily which can be said to be synonyms of Iemoto Akane are used, its size is 7 m in width and 2.5 m in height.
Gloly lily's burning red and the dynamically undulating wisteria vine's expressions leave a vivid impression.
The work produced for the TVCM "Red Flower" version of Hitachi Digital High Definition "Wooo" in 2006.
In this work, 1000 pieces of gloly lily which can be said to be synonyms of Iemoto Akane are used, its size is 7 m in width and 2.5 m in height.
Gloly lily's burning red and the dynamically undulating wisteria vine's expressions leave a vivid impression.
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Iemoto Akane 10th year solo exhibition “Heartlines”
(2011)
Iemoto Akane solo exhibition celebrating her 10th anniversary as the Iemoto, held at the Spiral Garden in Omotesando, Tokyo in May 2011.
In the hall built in the wellhole style, 100 pieces of round bamboo were raised in a dignified manner and bands of spilt bamboo ran around freely in the space. The invigorating energy of the work blew a breeze into our hearts, which were falling apart due to the Great East Japan Earthquake, and brought courage and hope to us.
Iemoto Akane solo exhibition celebrating her 10th anniversary as the Iemoto, held at the Spiral Garden in Omotesando, Tokyo in May 2011.
In the hall built in the wellhole style, 100 pieces of round bamboo were raised in a dignified manner and bands of spilt bamboo ran around freely in the space. The invigorating energy of the work blew a breeze into our hearts, which were falling apart due to the Great East Japan Earthquake, and brought courage and hope to us.
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July
Materials: Tillandsia, Passion flower
Vessel: Glass vase
Vessel: Glass vase
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At Nihombashi Takashimaya S.C.
(2017 / Nihombashi Takashimaya S.C., Tokyo)
On the remains of the water fountain at the side of the main entrance of the Nihombashi Takashimaya S.C., which is the first important cultural property as the department store architecture. It's a work arranged against the beautiful marble wall, from which we could feel its history, and the sweet Chinese roots were arranged as if they were dancing.
Materials: Hemp, China root, Rose
Vessel: Self-made ceramic vase
[From Winter 2017 issue of Quarterly Magazine "Sogetsu"]
On the remains of the water fountain at the side of the main entrance of the Nihombashi Takashimaya S.C., which is the first important cultural property as the department store architecture. It's a work arranged against the beautiful marble wall, from which we could feel its history, and the sweet Chinese roots were arranged as if they were dancing.
Materials: Hemp, China root, Rose
Vessel: Self-made ceramic vase
[From Winter 2017 issue of Quarterly Magazine "Sogetsu"]
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FLOWERS BY NAKED – Nihonbashi, Tokyo –
(2016-2019 / Nihonbashi Mitsui Hall, Tokyo)
NAKED is a creative company which creates digital art spaces while skillfully utilizing projection mapping and music. Iemoto Akane has displayed her works at their annual art event "FLOWERS BY NAKED – Nihonbashi, Tokyo –" consecutively since 2016. It's the one and only collaboration constructed by ikebana and technology.
NAKED is a creative company which creates digital art spaces while skillfully utilizing projection mapping and music. Iemoto Akane has displayed her works at their annual art event "FLOWERS BY NAKED – Nihonbashi, Tokyo –" consecutively since 2016. It's the one and only collaboration constructed by ikebana and technology.
Red Flowers
(2006)
The work produced for the TVCM "Red Flower" version of Hitachi Digital High Definition "Wooo" in 2006.
In this work, 1000 pieces of gloly lily which can be said to be synonyms of Iemoto Akane are used, its size is 7 m in width and 2.5 m in height.
Gloly lily's burning red and the dynamically undulating wisteria vine's expressions leave a vivid impression.
The work produced for the TVCM "Red Flower" version of Hitachi Digital High Definition "Wooo" in 2006.
In this work, 1000 pieces of gloly lily which can be said to be synonyms of Iemoto Akane are used, its size is 7 m in width and 2.5 m in height.
Gloly lily's burning red and the dynamically undulating wisteria vine's expressions leave a vivid impression.
Iemoto Akane 10th year solo exhibition “Heartlines”
(2011)
Iemoto Akane solo exhibition celebrating her 10th anniversary as the Iemoto, held at the Spiral Garden in Omotesando, Tokyo in May 2011.
In the hall built in the wellhole style, 100 pieces of round bamboo were raised in a dignified manner and bands of spilt bamboo ran around freely in the space. The invigorating energy of the work blew a breeze into our hearts, which were falling apart due to the Great East Japan Earthquake, and brought courage and hope to us.
Iemoto Akane solo exhibition celebrating her 10th anniversary as the Iemoto, held at the Spiral Garden in Omotesando, Tokyo in May 2011.
In the hall built in the wellhole style, 100 pieces of round bamboo were raised in a dignified manner and bands of spilt bamboo ran around freely in the space. The invigorating energy of the work blew a breeze into our hearts, which were falling apart due to the Great East Japan Earthquake, and brought courage and hope to us.
The work for the Shiro-shoin
(2006)
The Shiro-shoin (white chamber) is an official chamber to welcome distinguished guests, consisting of the Ichi-no-ma(first room), the Ni-no-ma (second room) and the San-no-ma (third room). The most important Ichi-no-ma or Shimei-no-ma is divided into two levels. On the walls and fusuma (sliding doors), historical events related to the Emperors Yao and Shun in ancient China are drawn.
Her work invites viewers into a different dimension beyond time and space, using massive pine and princess trees suitable for the magnificent Japanese room together with bright-colored Chinese peonies at the bottom .
The Shiro-shoin (white chamber) is an official chamber to welcome distinguished guests, consisting of the Ichi-no-ma(first room), the Ni-no-ma (second room) and the San-no-ma (third room). The most important Ichi-no-ma or Shimei-no-ma is divided into two levels. On the walls and fusuma (sliding doors), historical events related to the Emperors Yao and Shun in ancient China are drawn.
Her work invites viewers into a different dimension beyond time and space, using massive pine and princess trees suitable for the magnificent Japanese room together with bright-colored Chinese peonies at the bottom .
Teshigahara Akane Solo Exhibition: Ikebana Through My Eyes
(2007)
"Teshigahara Akane Solo Exhibition: Ikebana Through My Eyes" which was held at the Nihombashi Takashimaya Department Store in March 2007 to celebrate the Sogetsu 80th Anniversary.
This work emitted an overwhelming sense of the vitality of flowers and trees encountered upon going through the "Waves of Beginning," a tunnel made of 60,000 paper-thin sheets of wood! Her work, which sought to make visitors experience ikebana with all five senses, generated huge excitement.
"Teshigahara Akane Solo Exhibition: Ikebana Through My Eyes" which was held at the Nihombashi Takashimaya Department Store in March 2007 to celebrate the Sogetsu 80th Anniversary.
This work emitted an overwhelming sense of the vitality of flowers and trees encountered upon going through the "Waves of Beginning," a tunnel made of 60,000 paper-thin sheets of wood! Her work, which sought to make visitors experience ikebana with all five senses, generated huge excitement.
“Iemoto Ikebana Live” in Takasaki
(2014)
"Ikebana Live" is Iemoto Akane's performance which shows the process of arranging flowers in a space on a stage along with music and lighting. She started this project in 2008 and has performed in various places not only around Japan but also worldwide.
This photo was taken during the Ikebana Live at the Gunma Music Center where she demonstrated ikebana creation with the Gunma City Philharmonic Orchestra.
"Ikebana Live" is Iemoto Akane's performance which shows the process of arranging flowers in a space on a stage along with music and lighting. She started this project in 2008 and has performed in various places not only around Japan but also worldwide.
This photo was taken during the Ikebana Live at the Gunma Music Center where she demonstrated ikebana creation with the Gunma City Philharmonic Orchestra.
The 97th Sogetsu Annual Exhibition “Ikebana may be comparable to painting, music or sculpture”
(2015)
This piece of Iemoto Akane's work was exhibited at the Sogetsu Annual Exhibition held at the Nihombashi Takashimaya Department Store. Do you think the lit-up object made of Japanese washi paper at the center looks like the kanji "心" which means heart? It's a dynamic yet warm work which gently embraces the heart of viewers.
This piece of Iemoto Akane's work was exhibited at the Sogetsu Annual Exhibition held at the Nihombashi Takashimaya Department Store. Do you think the lit-up object made of Japanese washi paper at the center looks like the kanji "心" which means heart? It's a dynamic yet warm work which gently embraces the heart of viewers.
Sogetsu Ikebana Exhibition “Flowers and their vases”
(2018)
The photo shows Iemoto Akane's work for the Sogetsu Ikebana Exhibition held at the Shinjuku Takashimaya Department Store under the theme of "vases" for ikebana: "What are vases?" or "What role does the vase play?" The purple glass container was designed by the Iemoto herself. In addition to this, she has frequently visited the Sogetsu Ceramic Kiln in Fukui Prefecture to make various ceramic vases.
The photo shows Iemoto Akane's work for the Sogetsu Ikebana Exhibition held at the Shinjuku Takashimaya Department Store under the theme of "vases" for ikebana: "What are vases?" or "What role does the vase play?" The purple glass container was designed by the Iemoto herself. In addition to this, she has frequently visited the Sogetsu Ceramic Kiln in Fukui Prefecture to make various ceramic vases.
July
Materials: Tillandsia, Passion flower
Vessel: Glass vase
Vessel: Glass vase
June
Materials: Hydrangea, Japanese bittersweet
Vessel: Glass vase
Vessel: Glass vase
May
Materials: Japanese quince, Leather flower
Vessel: Glass vase
Vessel: Glass vase
April
Materials: Flowering cherry, Azalea
Vessel: Self-made ceramic vase
Vessel: Self-made ceramic vase
March
Materials: Mimosa, Cineraria
Vessel: Self-made glass vase
Vessel: Self-made glass vase
February
Materials: Japanese quince, Tulip
Vessel: Self-made ceramic vase
Vessel: Self-made ceramic vase
January
Materials: Pine, Glory lily
Vessel: Glass vase
Vessel: Glass vase
At Nihombashi Takashimaya S.C.
(2017 / Nihombashi Takashimaya S.C., Tokyo)
On the remains of the water fountain at the side of the main entrance of the Nihombashi Takashimaya S.C., which is the first important cultural property as the department store architecture. It's a work arranged against the beautiful marble wall, from which we could feel its history, and the sweet Chinese roots were arranged as if they were dancing.
Materials: Hemp, China root, Rose
Vessel: Self-made ceramic vase
[From Winter 2017 issue of Quarterly Magazine "Sogetsu"]
On the remains of the water fountain at the side of the main entrance of the Nihombashi Takashimaya S.C., which is the first important cultural property as the department store architecture. It's a work arranged against the beautiful marble wall, from which we could feel its history, and the sweet Chinese roots were arranged as if they were dancing.
Materials: Hemp, China root, Rose
Vessel: Self-made ceramic vase
[From Winter 2017 issue of Quarterly Magazine "Sogetsu"]
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