At Sogetsu Kaikan annex Atelier
"RELEASE" ~ Akane Teshigahara Solo Exhibition for 20th Anniversary (2021 / Sogetsu Kaikan annex Atelier, Tokyo)
In the solo exhibition "RELEASE," commemorating the 20th anniversary of her succession of Iemoto, the venue was the atelier, which is the heart of the Sogetsu School and the place of creation for successive Iemotos. The works appeared everywhere on the site - inside the building, on the exterior staircase, in the adjacent workplace for iron processing, and even in the dust box, creating a wonderful fusion of unexpected places. The main work was an installation of a huge sphere made of steel and plants, and Sofu's work was incorporated as part of the installation, which became a topic of conversation.
In the solo exhibition "RELEASE," commemorating the 20th anniversary of her succession of Iemoto, the venue was the atelier, which is the heart of the Sogetsu School and the place of creation for successive Iemotos. The works appeared everywhere on the site - inside the building, on the exterior staircase, in the adjacent workplace for iron processing, and even in the dust box, creating a wonderful fusion of unexpected places. The main work was an installation of a huge sphere made of steel and plants, and Sofu's work was incorporated as part of the installation, which became a topic of conversation.
At Sogetsu WEST
"CONNECT" ~ Akane Teshigahara Solo Exhibition for 20th Anniversary (2021 / Sogetsu WEST, Kyoto)
The Iemoto's first solo exhibition in Kansai entitled "CONNECT" transformed Sogetsu WEST into a space enveloped in plants. The main feature of the venue was the bamboo installation, and the early summer plants were also arranged vigorously in the Iemoto's self-made glass vases, created specifically for this exhibition. The Iemoto's attention to detail was evident everywhere, from the display stand made of a combination of fossil wood and iron to the use of Japanese Washi paper on the walls, meaning that the entire venue could be enjoyed as a piece of artwork.
The Iemoto's first solo exhibition in Kansai entitled "CONNECT" transformed Sogetsu WEST into a space enveloped in plants. The main feature of the venue was the bamboo installation, and the early summer plants were also arranged vigorously in the Iemoto's self-made glass vases, created specifically for this exhibition. The Iemoto's attention to detail was evident everywhere, from the display stand made of a combination of fossil wood and iron to the use of Japanese Washi paper on the walls, meaning that the entire venue could be enjoyed as a piece of artwork.
[Project to Encourage the Flower Industry] Even a Single Flower can Change Tomorrow
(2020)
Sogetsu Foundation called for the crowdfunding to support the flower industry, which has been seriously affected by the coronavirus pandemic. With well-wishers’ donations, Iemoto Akane created a huge spherical installation using 5,000 "Southern Wind" glory lilies. The funding was very successful and over-achieved its target by far.
Sogetsu Foundation called for the crowdfunding to support the flower industry, which has been seriously affected by the coronavirus pandemic. With well-wishers’ donations, Iemoto Akane created a huge spherical installation using 5,000 "Southern Wind" glory lilies. The funding was very successful and over-achieved its target by far.
The 101st Sogetsu Annual Exhibition “Just beautiful is not enough.”
(2019)
The 101st Sogetsu Annual Exhibition was held at two venues: the Spiral Garden, a cultural complex in Omotesando, and the Sogetsu Kaikan. In the first venue, the Spiral Garden, the Iemoto created a bold yet delicate work of bamboo that reached almost to the ceiling. Visitors enjoyed going through a bamboo tunnel made of extensive radial bamboo pieces.
The 101st Sogetsu Annual Exhibition was held at two venues: the Spiral Garden, a cultural complex in Omotesando, and the Sogetsu Kaikan. In the first venue, the Spiral Garden, the Iemoto created a bold yet delicate work of bamboo that reached almost to the ceiling. Visitors enjoyed going through a bamboo tunnel made of extensive radial bamboo pieces.
The 101st Sogetsu Annual Exhibition “Learn from yesterday, Arrange for today, Seek tomorrow’s expression.”
(2019)
At the second venue, the Sogetsu Kaikan, the Iemoto created two large-scale works which were displayed at the front of Sogetsu Kaikan. She wished to make Ikebana a more accessible and familiar art for people and her works attracted many passers-by, when some of them said that they saw a large-scaled Ikebana for the first time. This was a challenge for Iemoto and rewarded by very positive response from people outside the Ikebana world. The work was richly composed of bamboo, Japanese apricot with moss, pine, princess tree, Japanese winterberry, Citrus natsudaidai and camellia, while skillfully integrated with the Sogetsu stone monument and Isamu Noguchi's "Tokobashira".
At the second venue, the Sogetsu Kaikan, the Iemoto created two large-scale works which were displayed at the front of Sogetsu Kaikan. She wished to make Ikebana a more accessible and familiar art for people and her works attracted many passers-by, when some of them said that they saw a large-scaled Ikebana for the first time. This was a challenge for Iemoto and rewarded by very positive response from people outside the Ikebana world. The work was richly composed of bamboo, Japanese apricot with moss, pine, princess tree, Japanese winterberry, Citrus natsudaidai and camellia, while skillfully integrated with the Sogetsu stone monument and Isamu Noguchi's "Tokobashira".
Installation Display at Longwood Gardens
(2019)
Longwood Gardens, situated in the suburbs of Philadelphia, USA, is known as one of the most beautiful gardens in the world. The collaborative project was a long-held wish for both Sogetsu school and Longwood gardens and finally was realised in 2019. This work, entitled Kodo (pulse), had a total length of about 8 m (26 ft.), making it one of the Iemoto's largest ever works. The Iemoto says, "I expressed the birth of unknown life with intricate bamboo swells." The work integrated with the beauty of the gardens was admired and praised for its graceful and dynamic expression. Sogetsu Atelier staff from Japan, Longwood Garden staff, and the members of local Sogetsu groups worked together for two weeks to create this splendid installation.
Longwood Gardens, situated in the suburbs of Philadelphia, USA, is known as one of the most beautiful gardens in the world. The collaborative project was a long-held wish for both Sogetsu school and Longwood gardens and finally was realised in 2019. This work, entitled Kodo (pulse), had a total length of about 8 m (26 ft.), making it one of the Iemoto's largest ever works. The Iemoto says, "I expressed the birth of unknown life with intricate bamboo swells." The work integrated with the beauty of the gardens was admired and praised for its graceful and dynamic expression. Sogetsu Atelier staff from Japan, Longwood Garden staff, and the members of local Sogetsu groups worked together for two weeks to create this splendid installation.
Japonismes 2018: Souls in Resonance – Official Program “Ikebana Floral Art”
(2019年)
"Japonismes 2018: Souls in Resonance" was held in Paris, France from 2018 to 2019 to commemorate the 160th anniversary of friendship between France and Japan. In the official program "Ikebana Floral Art", the Iemotos and the designated successor Iemotos of the five different ikebana schools—Ikenobo, Ichiyo, Ohara, Misho and Sogetsu—got together to hold a joint exhibition, the first of such event in the long history of Ikebana. In this large Iemoto's work on a Japanese ancient period court carriage , the contrast between the straight and curved lines of round and split bamboos create a striking beauty with early spring flowering branches.
"Japonismes 2018: Souls in Resonance" was held in Paris, France from 2018 to 2019 to commemorate the 160th anniversary of friendship between France and Japan. In the official program "Ikebana Floral Art", the Iemotos and the designated successor Iemotos of the five different ikebana schools—Ikenobo, Ichiyo, Ohara, Misho and Sogetsu—got together to hold a joint exhibition, the first of such event in the long history of Ikebana. In this large Iemoto's work on a Japanese ancient period court carriage , the contrast between the straight and curved lines of round and split bamboos create a striking beauty with early spring flowering branches.
Japonismes 2018: Souls in Resonance – Official Program “Ikebana Floral Art”
(2019年)
A small work displayed in the exhibition at the Maison de la culture du Japon à Paris. A mossy wood with bold movement was combined with fruiting branches such as lovely Japanese orange and nandina in an imposing round basket.
A small work displayed in the exhibition at the Maison de la culture du Japon à Paris. A mossy wood with bold movement was combined with fruiting branches such as lovely Japanese orange and nandina in an imposing round basket.
Red Flowers
(2006)
The work produced for the TVCM "Red Flower" version of Hitachi Digital High Definition "Wooo" in 2006.
In this work, 1000 pieces of gloly lily which can be said to be synonyms of Iemoto Akane are used, its size is 7 m in width and 2.5 m in height.
Gloly lily's burning red and the dynamically undulating wisteria vine's expressions leave a vivid impression.
The work produced for the TVCM "Red Flower" version of Hitachi Digital High Definition "Wooo" in 2006.
In this work, 1000 pieces of gloly lily which can be said to be synonyms of Iemoto Akane are used, its size is 7 m in width and 2.5 m in height.
Gloly lily's burning red and the dynamically undulating wisteria vine's expressions leave a vivid impression.
Iemoto Akane 10th year solo exhibition “Heartlines”
(2011)
Iemoto Akane solo exhibition celebrating her 10th anniversary as the Iemoto, held at the Spiral Garden in Omotesando, Tokyo in May 2011.
In the hall built in the wellhole style, 100 pieces of round bamboo were raised in a dignified manner and bands of spilt bamboo ran around freely in the space. The invigorating energy of the work blew a breeze into our hearts, which were falling apart due to the Great East Japan Earthquake, and brought courage and hope to us.
Iemoto Akane solo exhibition celebrating her 10th anniversary as the Iemoto, held at the Spiral Garden in Omotesando, Tokyo in May 2011.
In the hall built in the wellhole style, 100 pieces of round bamboo were raised in a dignified manner and bands of spilt bamboo ran around freely in the space. The invigorating energy of the work blew a breeze into our hearts, which were falling apart due to the Great East Japan Earthquake, and brought courage and hope to us.
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